Seat At The Table

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Starting August 27th, two women whom I have been following for a while now – Martine St-Victor and Isabelle Racicot – are back with their podcast Seat at the table. This season again, they will be interviewing and talking to several big names in the world of pop culture and media.

That being said, with everything that has been going on and as this teaser will show you, their second season promises to be about more than that.

I want to talk about it. But I don’t want to talk about it 24/7. But how can I talk about something else?

So the table has been set and the meal promises to be exquisite.

Hair Diaries

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Photo provided by Fanm Djanm

Ask anyone who knows me well and they will tell you: I am obsessed with the state of my hair. (Not so jokingly) I used say that I wished to be buried with my eyeglasses, a nice purse and my hair freshly laid. And since God has given me very thick coily hair, for the past 30 years, what I meant by freshly laid hair was freshly relaxed hair. You read right, I expected the mortician to relax my hair!

But as the years went by, as I started seeing more and more of my peers with natural hair, but mostly, as I started to acknowledge the toll that all this chemical processing had on my hair and my sense of beauty/worth, I realized that it was time to stop.

That being said, the conflicted relationship I have with my hair has not ceased because I am no longer straightening it. But one of the good things that came out of this obsession was the discovery of several black-owned brands like Fanm Djanm.

It may seem like founder Paola Mathé is selling something quite utilitarian – headwraps. But once you take a deeper look at her brand’s website and at her personal Instagram account, there’s no denying that her wish is to nurture black love, black joy and black excellence. And that she aims to empower the black community.

Paola Mathé se yon vrè fanm djanm!

#UltraHDgeneration

As you all know, some days I feel ignored by the beauty/cosmetic industry. But not today as Make Up For Ever introduced its new Ultra HD foundation. While their HD line came in 26 shades, this new one will cover a more extensive range of skin tones with 40 different shades being offered – “pushing back the boundaries of complexion expertise”.

And that’s why they get my vote.

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Nude for all?

“The shade of your very own skin never goes out of style.” (Shiona Turini, Editor, Consultant and Stylist)

A couple days ago, I was gushing about my love of minimalist sandals and used that quote from Ms Turini to explain why they are a key part of my summer wardrobe. I had read it in a Refinery29 article that was celebrating the fact that, at last, Christian Louboutin had introduced “nude shoes for the rest of us” – us being the non-Caucasian women of the world.

At last, because in all honesty sometimes I feel like the fashion world is trying telling me that I, a dark-skinned black woman, I am not in style. I am not enough. I don’t belong. Here’s why:

It would impossible for me to tell you the exact number of magazines that I’ve purchased or read in the past 20 years. But one thing I can tell you is that only rarely do I see someone who looks remotely like me on their covers – or even inside. And when I do, like when Lupita Nyong’o was on the cover of the July 2014 edition of American Vogue, I also have to content with images of Gisele Bundchen and Lebron James, the “couple” on the cover of that same magazine in April 2008… Just like Jill Filipovic from the blog Feministe,  what I saw was the picture of “a scary animalistic black man, a primal scream, and a beautiful white woman.” Which now makes me wonder: how many other people, how many women, how many young black girls saw the same image her and I saw? And ultimately, how many have internalized the idea that being black means that one is brutish, aggressive, unrefined, ungracious, uncivilized and unworthy of much attention. One could say that that particular issue came out 7 years ago and that times have since changed. But have they really? There is no doubt in my mind that 2 decades’ worth of magazines have shaped my idea of what beauty is. So it would be naïve of me to think that it hasn’t done the same for others. 

This could explain why we still live in a world where it’s an accomplishment for Rihanna to be the new face of Dior. And not only because it is an honour reserved to very few women, but mostly because, as a black woman, it’s still quite a exploit for her to have been bestowed such honour. That being said, allow me to be cynical – I mean, pragmatic: let’s say that the world had to wait this long before Dior had a black ambassadress because frankly having one is probably not the most cost-effective tactic for the company… seeing as the bulk of its buyers isn’t comprised of black women. Still, this reasoning doesn’t explain why, for an example, we are still largely ignored by the cosmetics industry. Between you and I, if there’s something every black woman needs, it’s a good foundation! I’ve learnt years ago that the hyper-pigmented spots on my face will not disappear on their own. So with more 1.4 billion of Africans and people of African descent in the world, why is it that I still can’t find a decent shade of nude lipstick. And why did I have to go to 3 cosmetic stores before finding one that carried my shade of Touche Éclat? The geniuses at Yves Saint Laurent did think of my ebony skin, but the ones at Sephora clearly didn’t. Because, in Canada anyways, they don’t carry the darkest shade of the world’s most popular luminizing pen!

But I’ve digressed… this post was supposed to about my shade of nude finally being acknowledged and ultimately, catered to. And for that, I’m happy.